Monday, December 30, 2013

Frijjo Birkijoniz: Symbols and Icons

Frijjoz Besamo
     The birch besom (PGmc besamo) is the first and, to my mind at least, the most important symbol of Frijjo Birkijoniz.  It is representative of corrective discipline (like the scourge associated with Perchten and Krampus in folklore), of ritual purification (as in the scourge associated with sauna and sweat bath culture), and of rulership over the domestic sphere.  In the case of my own practice, I use the besamo in place of the traditional evergreen tine to redden with the blot offering, as a demonstration of the primacy of of FB as the matron and instructor of siduz.
     I consider the besamo to be a physical embodiment of the goddess on the same level as her graven icon.  It is the shorthand symbol of my faith in the same way that a cross, hammer, star of David etc. might be used.  I even have a pendant version.


Distaff and Spinning Wheel
     The distaff and the spinning wheel are also important symbols of Frijjo Birkijoniz, along with the thread she spins.  These items are common symbols of "domestic" goddesses.  In the case of FB they are representative of her role in creating the substance of wurdiz (wyrd).

Keys
     Keys represent FB's role as the guardian of home and stead.  Antique skeleton keys are among her favorite offerings.

Birch Trees
     Birch trees and the Berkano runestave are manifestations of FB.

Siduhelmaz
     The siduhelmaz is the symbol of siduz, after the form of the helm of awe.  As the tutelary deity of siduz, this symbol also belongs to FB.  Here it is in an awesomely stylized form.



Thursday, December 26, 2013

How Frijjo Birkijoniz Communicates With Me

     I want to start by saying that I am not a priest, although sometimes I fulfill some priestly functions.  I have no direct line to the gods.  I'm not excellent at divination.  Nevertheless, I have enough occult experience to identify spiritual communication.  I'll sometimes say that FB has "told" or "asked" me something.  This is how it happens.

     Frijjo Birkijoniz communicates with me in two major ways.  She uses visual "flashes" to indicate her presence.  As a child I experienced absentia seizures, and these "flashes"  seem to come through similar channels.  They are visually intense, but utterly silent.  Often they are accompanied by a distinct emotion.  They are purely psychic in nature.  Unlike with the Old Man, I never see FB with my natural vision.

     The second means by which FB communicates with me is direct knowledge, gnosis if you will.  This is generally how she makes requests of me.  An example of this form of communication would be the "request" I received to complete a three day fast in her honor.  The defining feature of this means of communication is the utter certainty I experience with regards to the message.  One moment I am going about my normal business, the next I know without a doubt that I should fast for three days (along with a host of other instructions and taboos).  Absolute certainty is not a condition native to my psyche, so I am inclined to receive these messages as originating from outside myself without much second-guessing.

     It seems to me that many public polytheists are gifted spirit-workers with many various avenues of communication.  I am curious as to how my experiences align with these folks understanding of divine communication.  I am also curious about how other "lay" polytheists communicate with their gods.  Thoughts?

How I came to Know Frijjo Birkijoniz

Introduction and Disclaimer
     I have no small amount of difficulty in identifying the exact moment that I first encountered Frijjo Birkijoniz.  I first came to know her by that name less than two years ago, but Her appearance in my life long predates this.  Coming to know FB has been an ongoing process, so I will have to combine prompts 2 and 26 in order to give a most accurate and precise account.  Even doing my best, the chronology may still be a little muddy.

The Lady of The Birches
     Not long after I first became a heathen, roughly at the age of fourteen or fifteen (1995 or 1996), I became aware of a deep and abiding spiritual presence among the birch trees.  I spent my summers as a child out in the forests and mountains of Vermont, which are graced with many stands of stately white birches.  I remember encountering the "Lady of the Birches", as I came to call her, in my quiet and solitary moments.  She was silent, cloaked in birch bark, and shining with an inner light.  She did not exactly fit with any of the goddesses I was learning about in the lore, so I inwardly acknowledged here presence, but gave nothing more of myself.  Her existence was real, our encounters were real, but not in the same way as my early encounters with the Old Man, which tended to be startlingly physical, and not at all mystical, or with the Thunderer who I would cavort naked with as the trees bent an the rain pelted against my flesh.

     It was when I began my study of the runes that I connected the presence I had felt in the birch groves to the mysterious goddess present in the Berkano rune-stave. Many of my experiences of the goddess lined up with the meaning hidden in that rune. The ideas of silence, enigma, and obfuscation which I experienced in my runic meditation and study were the same experiences I had as I walked among the birch trees.

     At the time that I began to study the runes in depth I was still fairly involved in Native American spiritual practices (in a relatively appropriation-free context; I have been fortunate to work with several respected elders from a number of nations), especially the sweat-lodge ceremony.  From these experiences I drew a connection to the purification aspect of Berkano, particularly once I learned that scourging with birch boughs is a traditional aspect of sauna culture.  Thus my birch goddess revealed herself as the matron of the sweat-bath.

     Most of these ideas had gelled in my mind by about the summer of 2001.  Right about at that time, however I drifted away from any sort of participation in heathenry, due in large part to the fairly toxic online heathen scene.  I continued to study the runes, but most of my practice became geared toward chaos magic, and I moved away from a religious interpretation of my heathenry.  If you had asked me what my religion was during that period, I would almost certainly have told you that I was a heathen, but to be quite frank, that was simply not what I was doing.  I spent about a decade in this state, exploring gnosticism, chaos magic, folk catholicism, and finally zoroastrianism.  Then I woke up.

What I Learned From Frigg
     In the winter between 2010 and 2011 I began to reach out once more to other heathens, and, more crucially, to reconnect with my own heathen practice.  I dusted off my hammer and assembled my stullon (portable altar) and blot tools.  In a moment of inspiration, I constructed a besom of birch twigs to use in place of an evergreen tine for reddening (sprinkling of the offering) following the blot.  I consecrated this tool to the Lady of the Birches.  Functionally, I had returned to her, but the process had not yet completed itself.

    It was in January of 2011 that I first met my good friend S, a fellow heathen living nearby.  We hit it off immediately, and decided to begin a series of study sessions, focusing on a god or class of wight every two weeks.  the very first god we chose to study was Frigg since neither one of us knew very much about her.  During the weeks of study, I experienced a series of series of strange omens, culminating in a night when an owl spent several hours trying to break into my house through the bedroom window.  As we sat down to discuss Frigg, I became aware of a familiar presence.  Here again was that same thunderous silence, that same secrecy and enigma.  Could it be possible that Frigg and the Lady of the Birches were one and the same?

     The qualities of FB which I discovered through my study of Frigg include an association with the art of spinning.  In the lore, Frigg is said to spin the thread (urlagaz) from which wyrd (wurdiz) is woven.  She knows all but reveals little.  Additionally, she presides over the family, which is the seat of tradition (siduz), which, in turn, is the basis of culture.

Synthesis
     As I began my rapprochement with heathenry, it became clear to me that I needed to systematize my approach.  I had never felt wholly comfortable with the Norse pantheon.  It was close, but still felt foreign to my experience of the Holy Powers.  Likewise, the Anglo-Saxon and every other historical Germanic tradition just seemed "off".  When I called the holy names in Proto-Germanic, however, I felt a deep and pure resonance.  This would be my path then: a new siduz springing from a source lost in pre-history, and Frijjo Birkijoniz would be my teacher.
    I have completed three major tasks for my goddess.  I found her proper name and have called her thus.  I completed an icon for her and have rendered sacrifice to her through it. Finally, this past July I undertook a three day fast at her request.  As I write this, I have just laid out an offering of elder flower liqueur to her.


     May her name resound through the generations.  May those who call her be blessed with her sublime presence.

Haili thu Frijjo Birkijoniz.  Ek lubo thek.

Thursday, December 19, 2013

a note on my use of the 30 days prompts

It's becoming clear to me as I outline my responses to the Thirty Days of Deity Devotion writing prompts that its not going to be practical for me to address each prompt in a separate post.  I still intend to try to address each prompt, but will combine some.  Others will just have to get an "I don't know".  I'll do my best to reference which prompt(s) I'm dealing with in each post.

Sunday, December 15, 2013

Thirty Days of Devotion Day One: Introduction

  Let me start off by saying that pretty much everything I have to say about Frijjo Birkijoniz falls into the category of UPG.  This is because she belongs to a reconstructed Proto-Germanic pantheon.  This pantheon is the antecedent of the historically attested Germanic pantheons (e.g. Norse, Anglo-Saxon etc).  What is known about this pantheon is derived mostly from linguistic evidence of a common Germanic language spoken prior to the development of the various Germanic languages known to the historical record.  There is no Proto-Germanic mythic cycle which I may rely upon for information.  I must therefor acknowledge the possibility that there was never a point in (pre)history when the gods I worship were venerated according to the names I know them by.  My reasons for coming to Proto-Germanic religion are multifarious and complex.  Perhaps they will be the subject of some later writing.  For the time being, however, understand that what I know of these gods derives from the experiences I have had since I began calling out their most ancient names.  These experiences are mine and mine alone.  I make no claims to their historicity.
  One further note on my use of Proto-Germanic:  when writing in English about Proto-Germanic topics I leave out the many diacritical marks present in the reconstructed written language.  They are a pain in my ass, so I only use them when writing in Proto-Germanic for devotional purposes.

  The name, Frijjo Birkijoniz, would translate to something like Frigga-of-the-Birches in English.  This title connects her with both the Norse Frigg and the enigmatic "goddess" present in the rune Berkano.  I generally avoid equating her with any historically known goddess, but she called me to her in part through a study of Frigga, and to the best of my knowledge they are the same (at least to the same degree that Wodanaz "is" Odhinn, for example).  There are, however echoes of her presence in several later Germanic goddesses such as Frau Holle and Perchta.
  Frijjo Birkijoniz is the guardian and instructor of siduz.  Siduz refers to custom or tradition, and is the term I use for my faith/religion/devotional practice.  She is the goddess present in the sweat bath and the birch grove.
  Although Frijjo Birkijoniz is the goddess of the home and the domestic arts, I chafe when I hear Frigg relegated to a kind of divine June Cleaver.  My goddess is not sitting at home cooking, cleaning, and watching the little ones while Wodanaz, Thunaraz and the other men are out doing the really important stuff.        Her lessons about maintaining family, home and tradition are the really important lessons.  She is the maintainer.  She is the teacher.  She raises up the generations in siduskapaz.  She maintains spiritual discipline among men and gods  alike.  Yes, women and children are her natural constituents, but she really seems to like it when men seek out her lessons.  As a man, I have ever felt as welcomed by the male gods as I have felt by her.

I suppose that should suffice as an introduction.  See you all on day 2.